Others are executed in Murakami’s unique visual style, with the artist spray painting the symbol over his signature cartoon motifs, as seen in Enso Facing The Pitch Black Void in which the white Ensō stands out against a black and white skull backdrop. In these prints, Murakami renders the Ensō in white against a plain backdrop. Some of the designs such as Agama and Amitabha Buddha are simple, favouring the minimalist aesthetic that is often associated with Japanese painting. Interestingly, in this collection, Murakami fuses a traditional painting style with more contemporary influences such as spray painting. The Ensō is conventionally characterised by the minimalism of traditional Japanese aesthetics. The collection features a range of variations of the Ensō. Traditionally produced using a brush in one fluid and highly mastered stroke, the emphasis on being made with one stroke means the circular shape does not allow for any wavering or change of heart.
#Zen enso circle meaning free
The Ensō is also considered the prerequisite to every act of creation, a moment when the mind is free to let the body create. The subject of these new paintings is one of the most famous motifs in Zen painting, the Ensō (literally circle) that symbolises emptiness, unity and infinity in Zen Buddhism. The Ensō is also used to symbolise enlightenment, strength, elegance and the universe. The symbol is used in Zen, a school of Mahayana Buddhism to express a moment when the mind is free to let the body create. All the prints in this collection feature the Ensō, a circle that is hand-drawn freely in one uninhibited brushstroke. Many of the works in this collection were exhibited in 2015 at a Pop-Up exhibition of the same name at the Kaikai Kiki Gallery in Tokyo. Ensō is a collection of prints produced by the inspiring Japanese artist, Takashi Murakami.
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